Throughout
their long careers as both solo performers and as
members of the group that bore their family name,
the Neville Brothers proudly carried the torch of
their native New Orleans' rich R&B legacy. Although
the four siblings -- Arthur, Charles, Aaron, and Cyril
-- did not officially unite under the Neville Brothers
aegis until 1977, all had crossed musical paths in
the past, while also enjoying success with other unrelated
projects: Eldest brother Art was the first to tackle
a recording career, when in 1954 his high school band
the Hawketts cut "Mardi Gras Mambo," a song
that later became the annual carnival's unofficial
anthem. Both Aaron and Charles later joined the Hawketts
as well, and when Art joined the Navy in 1958, he
handed Aaron the group's vocal reins.
Two years later, Aaron scored his first solo hit,
"Over You"; in 1966, he notched a pop smash
with the classic "Tell It Like It Is," a
lush ballad showcasing his gossamer vocals. Art, meanwhile,
returned from the service to begin his own solo career,
and recorded a series of regional hits like "Cha
Dooky Doo," "Zing Zing," and "Oo-Whee
Baby." In 1967, he formed Art Neville and the
Sounds, which included both Aaron and Charles as featured
vocalists and quickly became a sensation on the local
club circuit.
In 1968 producer Allen Toussaint hired the group as
the house band for his Sansu Enterprises; minus Aaron
and Charles, the Sounds evolved into a highly regarded
rhythm section which backed artists as diverse as
Lee Dorsey, Robert Palmer, and LaBelle before eventually
finding fame on their own as the Meters. Consequently,
Aaron resumed his solo career, although with only
sporadic success; as a result, he also worked as a
dock hand. Charles, meanwhile, relocated to New York
City, where his skills as a saxophonist led to tenures
with a variety of jazz units; after returning to New
Orleans, he was arrested for possession of marijuana
and served a three-year sentence at the Angola Prison
Farm.
In 1975, the Meters backed the Wild Tchoupitoulas,
a group led by the Nevilles' uncle, George "Big
Chief Jolly" Landry. Both Aaron and Charles were
enlisted for the session, as was youngest brother
Cyril; when the Meters disbanded the following year,
the four brothers backed the Tchoupitoulas on tour,
and in 1977 they officially banded together as the
Neville Brothers. Despite their gift for intricate
four-part harmonies, their self-titled 1978 debut
unsuccessfully cast the vocal quartet as a disco band,
and following a dismal response they were dropped
by their label, Capitol.
The Nevilles spent the following three years without
a contract, but after signing with A&M, fan Bette
Midler helped secure the services of producer Joel
Dorn for 1981's superior Fiyo on the Bayou, which
spotlighted Aaron's angelic tenor on standards like
"Mona Lisa" and "The Ten Commandments
of Love" along with renditions of "Iko Iko"
and "Brother John." Despite widespread critical
acclaim, the album sold poorly, and again the Nevilles
were cut loose from their contract. After signing
to the tiny Black Top label, they issued 1984's Neville-ization,
an incendiary live set recorded at the Crescent City
landmark Tipitina's which featured Duke Ellington's
"Caravan" and Aaron's perennial "Tell
It Like It Is" alongside the brothers' own "Africa"
and "Fear, Hate, Envy, Jealousy."
After another concert album, 1987's Live at Tipitina's,
the Nevilles signed with EMI and returned to the studio
in 1987 with Uptown, which again met with commercial
failure despite cameo appearances from Keith Richards,
Jerry Garcia, and Carlos Santana. In 1989, they re-signed
to A&M and recruited the services of famed New
Orleans producer Daniel Lanois; the atmospheric Yellow
Moon, the group's finest hour, finally earned them
success on the charts, thanks in part to the anthemic
single "Sister Rosa." 1990's Brother's Keeper
fared even better, no doubt spurred by Aaron's concurrent
success with Linda Ronstadt on the smash duet "Don't
Know Much."
In subsequent years, Aaron reignited his solo career
while also remaining with his brothers; while the
Nevilles retained their cult following with LPs like
1992's Family Groove, 1994's Live on Planet Earth,
and 1996's Mitakuye Oyasin Oyasin/All My Relations,
Aaron scored a Top Ten hit in 1991 with the single
"Everybody Plays the Fool," taken from the
Ronstadt-produced Warm Your Heart. In 1993, he notched
a minor hit with "Don't Take Away My Heaven"
from the LP The Grand Tour; a year later, he found
success with "I Fall to Pieces," a duet
with country star Trisha Yearwood. In 1990, Charles
also issued the jazz collection Charles Neville &
Diversity.
In addition, a second generation of Nevilles also
began making their mark on music; in 1988, Aaron's
son Ivan, a member of Keith Richards' backing band
the Xpensive Winos, released his solo debut, If My
Ancestors Could See Me Now. The Neville Brothers legacy
continued in 1999 with Valence Street.